7/10/09  #529
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It's time once again. It's time for the Men-In-Black to start hammering on your front door. It's time for secret government operatives to start tapping your phone and email accounts. It's time for those pesky little grey aliens to start abducting you from your bedroom at night. It's time for all of this because your number one weekly newsletter of conspiracies, UFOs, the paranormal and everything strange and bizarre has once again arrived in your email box - and they want to read it to find out what is REALLY going on.

This week Conspiracy Journal brings you such cosmic stories as:

- John Keel Has Died -
- When Advertising Meets Surveillance -
- Nazis Stealth Bomber Could Have Changed History -
- The Nature of Negative Hauntings -
AND: Three Strange Beings Reported at Crop Circle

All these exciting stories and MORE in this week's issue of
CONSPIRACY JOURNAL!

~ And Now, On With The Show! ~


SPECIAL ON TIM BECKLEY'S UFO SILENCERS

An excerpt from our Coast to Coast Stream Link chat is posted on Coast to Coast's web site this evening. For those who can't wait for the UFO Hunters show to air this summer we have copies of UFO SILENCERS for $17.50 ($5 s/h) and we will include for all net orders an hour DVD interview I did with Country singer Johnny Sands regarding his encounter with "aliens" and subsequent "troubles" with MIBs in Vegas circa 1975.
Also phone orders to 732 602-3407
 
Enjoy the brief excerpt.
http://www.coasttocoastam.com/article/timothy-green-beckley-chat-excerpts

Order a copy of UFO Silencers

NOW AVAILABLE...
MYSTERIES MAGAZINE  #23

In This Incredible Issue:

Feature Articles
 
Decoding the Bible
Whether resting on an altar, courtroom podium, or bedroom nightstand, the Holy Bible commands respect. Although the longest debate about its teachings concerns evolution versus creationism, today’s controversy is not generating sermons or atheists’ arguments inasmuch as  challenging a standard belief system. The Good Book is getting a  closer look from people who are learning that past tragedies, such as 9/11 and the future    Apocalypse, may actually be encrypted in this 3,200-year-old text.
 
Sunspots and the Number 11 in the 2012 Prophesy
Our times are bracketed by two specific dates—September 11, 2001 and  
December 21, 2012—the greatest single act of terrorism on the continental United States and the end of the Mayan calendar. If, as some observers suspect, something more than a coincidental relationship exists between these two events, its explanation must lie beyond the powers of ordinary human reason and in the world of numbers.
 
The Mayan Calendar: Ancient Prophesies for a New World
On December 21, 2012, the world as we know it will cease to exist.  This prediction, made thousands of years ago by Mayan shamans, has  raised many questions: What does the ancient prophecy mean? Will a cataclysmic event destroy the planet and how and why did the Mayans choose the winter solstice in a year so far into the future? Scholars claim the answers to all these questions are found in the Mayan  
calendar.
 
The Loch Ness Monster: Hoax or Horror?
Whichever estimate of sightings we accept, be it 600, 3,000, or 10,000, there is no shortage of anecdotal evidence that a strange creature inhabits Loch Ness.

Now available at your favorite bookstore or magazine stand.

www.mysteriesmagazine.com

- OBITUARY DEPARTMENT -

John Keel Has Died

John Alva Keel, 79, a friend, Fortean, fierce fighter for his theories, professionally a writer and journalist, has died. A fellow admirer of Mothman and the anomalies all around us, such as the “name game,” is gone.

Keel, who lived most of his life in New York City, passed away on Friday, July 3, 2009, at Mount Sinai Hospital in New York City, after some months in a nursing home near his Upper West Side apartment.

In 1994, John A. Keel made a rare appearance at a birthday celebration held in his honor among a few of his closest friends. Pictured are J. Antonio Huneeus, Keel, and Loren Coleman. Photo by Patrick Huyghe.

Born Alva John Kiehle in upstate New York on March 25, 1930, John Keel began writing at a young age. Indeed, Keel’s first published story was in a magician’s magazine at the age of 12.

Keel would go on to become a scriptwriter for radio and television, and a stringer for newspapers. He later moved to Greenwich Village and wrote for various men’s and speciality magazines.

Keel’s first published book was Jadoo in 1957, which was quickly serialized in a men’s adventure magazine. The paperback is his account of his journey of discovery to India to investigate the alleged activities of fakirs and holy men who perform the Indian rope trick and who survive being buried alive. In Jadoo, Keel also told of tracking a Yeti, an Abominable Snowman, in the jungles of Asia.

John A. Keel’s non-fiction look at the very real unplanned twists in life were recorded in his 1966 novel, The Fickle Finger of Fate. It is a rare book, and few realize that Keel wrote this book.

Keel was an early admirer of Charles Fort (1874-1932), and while still doing the mainstream writing, began authoring articles for England’s Flying Saucer Review (FSR) and a long series of columns for Saga.

Further influenced by Fortean Ivan T. Sanderson and ufologist Aimé Michel, in early 1966, John Keel commenced a full-time investigation of monster, aerial and paranormal phenomena. Over a four-year period, Keel interviewed thousands of people in over twenty U.S. states, especially in the Ohio River Valley of the United States. More than 2,000 books were reviewed in the course of his investigation, in addition to thousands of magazines, newsletters, and newspapers. Keel also subscribed to several newspaper-clipping services, which often generated up to 150 clippings for a single day during the 1966 and 1967 UFO “wave.” Besides FSR, Keel wrote for several magazines including Saga with one 1967 article “UFO Agents of Terror” referring to the Men in Black. He also wrote one of the first articles on Mothman in FSR, during this same time period.

Like other contemporary 1960s researchers such as J. Allen Hynek and Jacques Vallée, Keel was initially hopeful that he could somehow validate the prevailing nuts-and-bolts, extraterrestrial visitation hypothesis for UFOs. However, a year into his investigations, Keel realized that the extraterrestrial hypothesis was untenable and did not explain, for him, based within his personality and belief systems, all the answers.

Keel’s insights also included his view of cryptozoology.

I grew to know Keel after being introduced to him through mutual friends Brad Steiger and Ivan Sanderson. I worked closely with Keel on contributing as yet-unpublished material of mine for his book, Strange Creatures from Time and Space (1970), which would influence my and Jerome Clark’s first two books The Unidentified (1975) and Creatures from the Outer Edge (1978).

Keel’s impact is far-reaching. Keel’s book, Strange Creatures from Time and Space was the inspiration for Craig Woolheater’s interest in Bigfoot and eventually would stimulate the creation of Cryptomundo.

Love him or hate him, John Keel was popular and one of the most widely read and influential Fortean authors of the late 20th century. Although his own thoughts about aerial, monster, and associated anomalous phenomena gradually evolved during the 1960s, Keel remained one of ufology’s most original and controversial researchers.

It was Keel’s second book, UFOs: Operation Trojan Horse (1970), that alerted the general public that many aspects of contemporary UFO reports, including humanoid encounters, often paralleled certain ancient folklore and religious encounters. Keel also argued that there is a direct relationship between UFOs and elemental phenomena. Keel informed me often that he did not consider himself a “ufologist,” but a “demonologist.”

“Ufology is just another name for demonology,” John Keel told me, a week before the September 11th attack on the World Trade Center, which occurred just a couple of miles from where he lives.

…as noted in Mothman and Other Curious Encounters, page 114, (NY: Paraview, 2002).

As Keel himself wrote, “I abandoned the extraterrestrial hypothesis in 1967 when my own field investigations disclosed an astonishing overlap between psychic phenomena and UFOs… The objects and apparitions do not necessarily originate on another planet and may not even exist as permanent constructions of matter. It is more likely that we see what we want to see and interpret such visions according to our contemporary beliefs.”

In UFOs: Operation Trojan Horse (1970), Keel argued that a non-human or spiritual intelligence source has staged whole events over a long period of time in order to propagate and reinforce certain erroneous belief systems (mirroring Vallée). Keel conjectured that ultimately all anomalies, such as fairies, 1897 mystery airships, 1930s phantom aeroplanes, mystery helicopters, creatures, poltergeists, balls of light, and UFOs, are a cover for the real phenomenon.

It was during this time period that Keel maintained an enormous and active correspondence with other researchers around the world. For example, I, Loren Coleman, was introduced to my now long-time friend Jerry Clark by John Keel, via letters. These exchanges between Keel and his fellow writers and researchers, even as intellectual disagreements and different paths took many of us on varied journeys, cemented 40 years of solid friendships among a small group of dedicated Fortean writers.

In Our Haunted Planet (1971), Keel coined the term “ultraterrestrials” to describe the UFO occupants. He discussed the seldom-considered possibility that the alien “visitors” to Earth are not visitors at all, but an advanced Earth civilization, which may or may not be human. Keel took no position on the ultimate purpose of the phenomenon other than that the UFO intelligence seems to have a long-standing interest in interacting with the human race.

UFO historian Jerome Clark wrote that Keel was “a radical theorist who believes that UFOs are ‘ultraterrestrial’ rather than extraterrrestrial. By that he means they are shape-changing phenomena from another order of existence. These ultraterrestials are basically hostile to, or at least contemptuous of, human beings and manipulate them in various wasy for example by staging ‘miracles’ which inspire unfounded religious beliefs. Ultraterrestrials and their minions may manifest as monsters, space people, ghosts and other paranormal entities.” (The UFO Encyclopedia, Volume 1: UFOs in the 1980s, page 148, NY: Agogee, 1990).

After years of writing parts of the story in various articles and other books, in 1975, Keel published The Mothman Prophecies, an account of his 1966-1967 investigation of sightings of the Mothman, a “winged weirdie” reported in and around Point Pleasant, West Virginia.

Keel corresponded with Ivan T. Sanderson, quietly for months, trying to determine what kind of bird might be involved with the sightings. It was later, as Keel more fully revealed the tale of the sightings and concurrent phenomena, that other elements came into the mix.

The book was contemporarily adapted into a 2002 movie directed by Mark Pellington, starring Richard Gere, Debra Messing, Laura Linney and Alan Bates.

Two parts of Keel’s personality were played by Gere and Bates. Bates’s character was “Leek,” which was “Keel” spelled backwards, and Gere’s character was a newspaperman, “John Klein,” also a play on Keel’s name. Because Keel was ill at the time, Sony/Screen Gems cut back Keel’s schedule of public appearances to only a few televised ones. I assisted Keel by becoming the movie’s publicity spokesperson on 400 radio shows, and appeared with Keel in the David Grabias documentary Search For The Mothman, which is in the Deluxe DVD of The Mothman Prophecies.

Keel often played, with tongue-in-cheek, on the Men-In-Black interest swirling around his work.

At the time of the release of the movie, a rumor circulated that Keel had died. On January 14, 2002, a story rapidly made the rounds via the web that John A. Keel had just died.

I quickly put the rumor to rest by calling Keel, and confirming that Keel was, indeed, still alive, although Keel quipped that everyone should be told, “his funeral is on Saturday and he will be wearing black.” Keel told me that this happened to him at least once before, in 1967.

In recent years, Keel’s appearances would be few and far between. But his sense of humor never left him, including wearing an all white suit to the Mothman Festival in Point Pleasant, West Virginia for the unveiling of the new Mothman replica.

Keel suffered a heart attack sometime before October 13, 2006. He admitted himself to New York City’s Lenox Hill Hospital on Friday the 13th of October, and underwent successful heart surgery on October 16, 2006. Keel then was moved from the hospital to a rehabilitation center on October 26, 2006, as his close New York friend Doug Skinner told me soon afterward. Skinner became invaluable in assisting Keel, and passing along messages to and from Keel’s old friends.

Keel’s impact cannot be underestimated, especially in terms of his analysis of patterns. His work on “windows” (specific hotspots of combined phenomenal appearances), “waves” (cyclic appearances of the phenomena), and the “Wednesday phenomenon” (the theory that a disproportionate number of UFO events occur on that day of the week) are deeply influential across time and space. Generations of readers of Fortean literature often do not even realize that Keel’s writings may be behind “name game” discussions or authors’ speculations on the fact that a certain location on a ridge might have a high rate of strange events occurring there after the 21st of the month on a Wednesday in a high-frequency month such as April. Keel was there first trying to look at such patterns.

The popular cultural influence of Keel has been enormous. It shall take future academic studies to fully realize his reach among the subculture that respects and are denizens of his ongoing intellectual playground.

On July 6, 2009, as word swept through the Internet, from Phyllis Benjamin at INFO and others, that Keel had passed away last Friday, tributes and sorrow were shared online in overwhelming fashion from his followers, fans, and friends.

John A. Keel will be missed.

Source: Cryptomundo/Loren Coleman
http://www.cryptomundo.com/cryptozoo-news/keel-obit/

THIS WEEK A SPECIAL THREE HOUR TRIBUTE TO THE LATE JOHN KEEL ON THE PARACAST

Mr. UFO - Timothy Beckley will be among a round table of UFO "celebrities" featured on this week's edition of The Paracast, hosted by Gene Steinberg and David Biedny.

Noted Fortean and UFO researcher/author Keel passed away on July 3rd and now those who knew him well get together for a free wheeling gab fest. The show will air on www.TheParaCast.com  on Sunday July 12th starting at 9 PM Eastern and is immediately available for rebroadcast becoming part of the show's permanent archives. For fans of Keel and those who loved The Mothman Prophecies and his other books, this is a show you will not want to miss.

www.theparacast.com

- I ALWAYS FEEL LIKE SOMEONE IS WATCHING ME DEPARTMENT -

When Advertising Meets Surveillance

Privacy campaigners are celebrating the news that the UK's largest ISP has dumped plans to roll out a controversial system, created by a firm called Phorm, which would snoop on users' web use in order to serve up personalised advertising.

The Phorm episode is just the latest battle in the long-running war over online privacy. But the next skirmishes over privacy-invading technology will not be fought online, but on the streets.

With electronic billboards, processing power, cameras and other sensors becoming ever cheaper, it's become possible to manufacture products that allow web-like targeting in the real world.

For example, a system developed by Singapore's research agency lets advertising screens detect the genders of passers-by: it will soon be able to tell how old they are, too. IBM has worked on systems that can scan a crowd and estimate numbers, demographics, and where people are looking.

Computer vision is sophisticated and cheap enough to make it possible to spot the logos on your drinks cup or shopping bags, and serve up ads in response – whether to reinforce your choice or promote a competitor.

And now that facial recognition has become a consumer technology it wouldn't be difficult to install a series of ad screens that tracks individuals as they move through a subway system or mall, greeting them at each turn with a particular message or character.
Message metrics

These new tools can also let advertisers monitor the performance of adverts more closely, much as they monitor how many people see, and click on, online adverts.

For example, this camera can tell where multiple people are looking from a few metres away. That allows ad buyers to tell instantly how many people saw a commercial and how long they looked at it for.

Systems based on conventional cameras can gather similar data, as this billboard that changes when someone looks away illustrates.
Opt out or opt in

The developers of these technologies often suggest that they will be beneficial for everyone. Viewers are targeted with relevant offers, rather than bombarded with spam; advertisers, for their part, won't waste money on people who have no interest in their products. As the industrial magnate William Lever once quipped: "Half my advertising money is wasted. The problem is that I don't know which half."

But that hasn't persuaded many privacy advocates, who think there's a principle at stake – the right not to be monitored without giving consent – and fear that the result will be more intrusive than helpful. If you agree with that perspective, the omens aren't good.

The technology that underpins online behavioural advertising has raced ahead of the public debate about whether and how it should be controlled – as evidenced by the machinations that have surrounded Phorm's proposals. Legislation is still at an embryonic stage: for example, this bill has been proposed in New York.

In the absence of formal controls, most of the biggest online advertisers, including Google and Yahoo, have opted for self-regulation: they allow people to opt out by visiting a certain webpage. That, say critics, is just a ruse, both avoiding discussion about the desirability of these technologies, and establishing opt-in as the default position.

It's hard to see how opt-out could be efficiently implemented for billboards on the street – at least without a new wave of devices that can communicate their owners' preferences to nearby advertising systems.

But the necessary infrastructure for such a system is unlikely to be developed without considerable public pressure – unlikely to materialise until long after smart billboards are already in your face.

Source: New Scientist
http://www.newscientist.com/article/dn17424-innovation-when-advertising-meets-
surveillance.html

- WHAT THEY DON'T WANT YOU TO KNOW DEPARTMENT -

Nazis Stealth Bomber Could Have Changed History

Nazi engineers were dangerously close to building a stealth warplane shielded from radar that could have changed the outcome of World War II.

A prototype of the Horten Ho 2-29 made a successful test flight just before Christmas 1944, but by then time was running out for the Nazis and they were never able to perfect the design or produce more than a handful of prototype planes.

However, an engineering team has reconstructed the bomber – albeit one that cannot fly – from blueprints.
 
It was designed with a greater range and speed than any plane previously built and was the first aircraft to use the stealth technology now deployed by the US in its B-2 bombers.

It has been recognised that Germany's technological expertise during the war was years ahead of the Allies, from the Panzer tanks through to the V-2 rocket.

But, by 1943, the Nazis were keen to develop new weapons as they felt the war was turning against them.

Nazi bombers were suffering badly when faced with the speed and manoeuvrability of the Spitfire.

In 1943 Luftwaffe chief Hermann Goering demanded that designers come up with a bomber that would meet his '1,000, 1,000, 1,000' requirements – one that could carry 1,000kg over 1,000km flying at 1,000km/h.

Two pilot brothers in their thirties, Reimar and Walter Horten, suggested a "flying wing" design which they were sure would meet Goering's specifications.

The centre pod was made from a welded steel tube, and was designed to be powered by a BMW 003 engine.

But the most significant innovation was Reimar Horten's idea to coat it in a mix of charcoal dust and wood glue which he believed would absorb the electromagnetic waves of radar.

They hoped that that, in conjunction with the aircraft's sculpted surfaces, would render it almost invisible to radar detectors.

This was the same method eventually used by the U.S. in its first stealth aircraft in the early 1980s, the F-117A Nighthawk.

Until now, experts had always doubted claims that the Horten could actually function as a stealth aircraft.

But, using the blueprints and the only remaining prototype craft, Northrop-Grumman defence firm built a fullsize replica of a Horten Ho 2-29, which cost £154,000 and took 2,500 man-hours to construct.

The aircraft is not completely invisible to the type of radar used in the war, but it would have been stealthy enough and fast enough to reach London before Spitfires could be scrambled.

"If the Germans had had time to develop these aircraft, they could well have had an impact," Peter Murton, aviation expert from the Imperial War Museum at Duxford, in Cambridgeshire said.

"In theory the flying wing was a very efficient aircraft design which minimised drag.

"It is one of the reasons that it could reach very high speeds in dive and glide and had such an incredibly long range."

The research was filmed for a documentary on the National Geographic Channel.

"This was the most advanced technology that the Germans had at the end of the war, and Northrop solved the question of how stealthy it was and its performance against Allied radar at the time," documentary filmmaker Mike Jorgenson said. "It's significantly better than anything flying operationally probably until the 1960s."
 
Source: Telegraph (UK)
http://www.telegraph.co.uk/news/newstopics/howaboutthat/5773358/Nazis-were-close-to-
building-stealth-bomber-that-could-have-changed-course-of-history.html

- THINGS THAT GO BUMP IN THE NIGHT DEPARTMENT -

The Nature of Negative Hauntings

Over the last several years, the viewing public has been inundated with paranormal television programs such as SciFi’s Ghost Hunters, A&E’s Paranormal State and the Travel Channel’s Ghost Adventures.  Investigative teams attempt to prove the existence of the spirit world and its coexistence with the living world. Although the media would seemingly have us believe that every other house on the block is inhabited by ethereal beings, a true haunting is more unique than one might think. Of course it is not the intention of individual programs, most notably Ghost Hunters and TAPS (The Atlantic Paranormal Society), to create fear among the viewing public; but, more importantly, the goal of TAPS and other like-minded groups is to educate viewers on the true nature of ghosts. Sometimes, this message gets lost in the heavily saturated media that bombards us with clever editing.

A popular misconception among the public is the assumption that any and all hauntings are of a negative nature. In reality, very few are actually negative. Human spirits who have lost their way or who have chosen to stay among the living are not often “evil”. Many of these spirits have unfinished business, are seeking someone or something that eluded them in life or they simply do not realize that they are no longer living. A spirit or ghost typically carries the same type of energy that they did in life, whether they continue to be gentle and loving or even angry and gruff. There are also spirits who retain the trauma they experienced during their deaths, often reliving that one moment in time that has landed them in a fog of confusion and despair. These souls are in need of direction, clarity and resolution.

However rare, “evil” spirits and inhuman spirits do exist within the spirit world, and the activity they generate, may be quite disturbing to the living. Certain characteristics and signs are usually present in a negative haunting; these would not normally occur with a human spirit with human emotions, regardless of their state of mind. Although many human spirits may carry a negative vibe of anger, depression or the afore mentioned trauma, most of these spirits are not truly evil by nature, but are often “stuck” with the prevalent emotion that they could not escape in life.

This is not to say that all “evil” or diabolical spirits were never human, as many were; but the evil human spirits who do cause negative disturbances are not locked hopelessly in the trials of human emotion, but rather they have consciously chosen the dark path over the light. In our culture we would refer to these souls as followers of Satan or as souls of the “damned”. These damned souls have lost their humanity and the remembrance of any desire to be good or righteous. In addition, there exists a rare, but all too real, inhuman spirit. These evil or diabolical spirits never lived life among humanity. Humanity was never theirs to be lost. Whether we call them inhuman, diabolical or demonic, the goal in their existence is the same: to destroy the righteous and to incite the fall of humanity, to take our God-given free will and use it as a tool against us. It is within the damned that the truly evil succeed.

Though human spirits do possess the power to make themselves known to the living through apparitions, disembodied voices and the occasional touch, they lack the ability or desire to manipulate and harm the living through great physical force as inhuman and damned spirits do. The truly evil create an oppressive atmosphere for the living and even for the dead.
There are specific occurrences of activity which are indicative of a negative or inhuman haunting, and though rare, can give rise to a kind of hell on earth for the living. The negative/inhuman spirit will often attempt to gain the trust of the living through deception of its true form. For example, a diabolical force may disguise itself through the apparent embodiment of a young child’s spirit. After gaining one’s trust, they begin to lure the unsuspecting person into an attachment whereby the inhuman can manipulate the living. Another tactic the diabolical employ is through imitation of a person’s loved one. They may take on the voice of the living, inciting confusion and disarming the intended victim’s sensibilities. For example, a mother may hear her child calling out for her, only to find that the child is no where near the source of the voice.
 
Poltergeist activity can often be mistaken for demonic activity and vice versa. Poltergeist translates literally from the German as “rumbling spirit” or “noisy ghost”. In recent years, it has become widely accepted that poltergeist activity is actually the result of unconscious telekinesis by a living individual. These telekinetic occurrences are the result of the person’s inability to express their own emotions in a productive way and may include aportation of objects, sleep paralysis and even dark mass projections that appear to be of a spectral nature.
 
Demonic or negative activity can mimic these telekinetic incidents, but most often the inhuman spirit is clearly not a result of the telekinetic mind. This is not to say that the inhuman cannot be invited into the human world by the dabbler in the dark arts or by one who has been spiritually weakened from bouts of major depressive episodes or drug addiction, as quite often is the case. Whether the negative spirit is inhuman or damned, the physical forces they exhibit can be quite frightening to say the least.
 
In my own experience, the signs of the negative were quite obvious not only to me as a medium, but also to my family and friends who witnessed its peculiar and often abrupt actions. For years, I coexisted with a damned soul attached to an antique object that I owned. Many times, it would cause a cannon-like boom that shook our home in direct response to a threat posed against it. These ear-splitting booms are often connected with the negative and are sometimes described as seemingly breaking the sound barrier.  The damned also had inhuman strength and would strangle those whom I love, leaving them gasping for air and imprinting ligature marks around their throats.  These acts as well as the visual confirmation of the damned entity seen by many, occurred in more than one of my homes where the object of attachment was used as furnishing. Caught in an EVP (electronic voice phenomena) the damned imitated the voice of an investigator’s daughter and my own child’s voice as well. During the ensuing investigation, I stated to the entity that it would no longer have a chance to torment my family and that we would be removing it shortly; it replied through an EVP in direct respose to my statement and in a sinister voice yelling, "No!"
 
At one point, after initial interviews with the paranormal investigation group, a force unseen kicked a banister rail out of its vertical position. Immediately after hearing the sound of splintering wood and a great clatter only a few feet from where I was standing, I saw the missing rail broken completely in half and lying on the floor 15 feet away from the stairwell.
 
In fact, as often reported in demonic and oppressive cases, large animal scratches appeared on my body during several nights, materializing with no visible source and they burned as if branded into my skin but disappeared usually within 24 hours. Unlike many protrayals in television and movies, these were not signs of demonic possession, but signs of negative infestation. Just as a parasite attaches to its host, the host does not take on characteristics of or become the parasite.
 
The most crucial piece of advice that I can give to anyone who thinks they may be experiencing a negative haunting is to keep your composure and never, under any circumstances, provoke the entity or challenge it in any way. The more fear and/or agitation that you show, the more energy it gathers to use against you.
 
The point of this article is not to incite fear or to promote the existence of the devil, but rather to educate the public on a subject that is not often discussed. My intention is to offer hope and help  to those who may be experiencing a negative haunting and have no where to turn. We were able to remove the negative entity from our home successfully, with the help of a knowledgeable paranormal group and also by ridding the home of the antique object of attachment. For more information regarding negative hauntings, you may contact me with questions at elizabeth.zocostan@gmail.com.
 
If you live in Virginia and are in need of a paranormal investigation as a result of any type of haunting, visit my good friend Jackie Tomlin, founder of Central Virginia Paranormal Investigations, at www.cvapi.com. On her site, you can also click on "Podcasts" under which the April 9, 2009 radio broadcast, features me as a guest psychic.  You can hear a more detailed account of the negative haunting that I and my family experienced, along with insights from Jackie, an extremely gifted psychic. On CVAPI's website, you will find many links to all areas of the paranormal.

Source: The Examiner
http://www.examiner.com/x-13297-Norfolk-Psychic-Communication-Examiner~y2009m7d6-
The-Nature-of-Negative-Hauntings

- SMILE FOR THE CAMERA OBSCURA DEPARTMENT -

Is the Turin Shroud A Self-Portrait by Leonardo da Vinci?

He was the ultimate Renaissance man - studying anatomy, designing a rudimentary helicopter and creating some of the most admired paintings of the age.

But could Leonardo da Vinci also have perpetrated history's greatest art forgery?

That's the suggestion of one expert, who claims that Leonardo was responsible for faking the Turin Shroud.

The relic has inspired generations of pilgrims who have flocked to see what they believe is the face of the crucified Jesus.

But it has also provoked bitter controversy after scientists carbon-dated it to the Middle Ages.

Now an American artist has entered the fray, putting forward her own theory about its origin.

Lillian Schwartz, a graphic consultant at the School of Visual Arts in New York, claims that the image is a self-portrait of Leonardo, which was made using a crude photographic technique.

Using computer scans she found that the face on the Turin Shroud and a self portrait of Leonardo da Vinci share the same dimensions.

Miss Schwartz came to prominence in the 1980s when she made detailed measurements of the Mona Lisa and a Leonardo self-portrait.

To her amazement, the two faces lined up perfectly, leading her to suggest that he used a self portrait as a model for the painting.

Earlier this year she used the same technique to compare another Leonardo self-portrait with the Turin Shroud.

'It matched. I'm excited about this,' she said. 'There is no doubt in my mind that the proportions that Leonardo wrote about were used in creating this Shroud's face.'

According to a Channel Five documentary to be shown tonight, Leonardo scorched his facial features on to the linen of the Shroud using a sculpture of his face and a photographic device called a 'camera obscura'.

He would have hung the shroud's fabric over a frame in a blacked- out room and coated it with a substance to make it light-sensitive, just like photographic film.

When the sun's rays passed through a lens in one of the walls, Leonardo's 3D model would have been projected on to the material, creating a permanent image.

Shroud researcher Lynn Picknett said: 'It is spooky, it is jaw-dropping.

'The faker of the shroud had to be a heretic. He had to have a grasp of anatomy and he had to have at his fingertips a technology which would completely fool everyone until the 20th century.'

The programme points out that Leonardo was fascinated with optical equipment and his notebooks contain one of the earliest drawings of a camera obscura.

Mrs Picknett added: 'If Leonardo could have known that 500 years after he died generations of pilgrims are still crossing themselves over the image, I think he would have laughed quite a lot.'

Although the Turin Shroud remains a popular attraction, most people now concede it is a fake.

Radiocarbon dating in 1988 showed the cloth was made between 1260 and 1390. However, the image itself has not been carbon dated.

But Professor John Jackson, director of the Turin Shroud Centre of Colorado, who believes the item dates from the time of Jesus's crucifixion, dismissed the Leonardo hypothesis. 'It is based on some very poor scientific and historical scholarship,' he said.

The earliest known record of the shroud appears on a commemorative medallion struck in the mid-14th century and on display at the Cluny Museum Paris, he added.

'It clearly shows clerics holding up the shroud and is dated to around 100 years before Leonardo was born.

'There is no evidence whatsoever that Leonardo was involved in the shroud.'

The professor believes the radiocarbon dating of the shroud was wrong because the sample was contaminated.

Source: The Daily Mail
http://www.dailymail.co.uk/news/article-1196520/Is-Turin-Shroud-really-self-portrait

- WHO KEEPS MAKING THESE THINGS DEPARTMENT -

Three Strange Beings Reported at Crop Circle

ColinAndrews.net is reporting an event that occurred 7th July 2009, Silbury Hill, Wiltshire, England, near the crop circle located south west of the hill off the A4 highway.

This is the same location where on the 23 May 1994, four researchers (including one nuclear scientist) visiting a crop design in this field, witnessed intense military presence moments before they each experienced 45 minutes missing time and within a short while a further period of missing time. Each had red marks appear on their necks and had severe nose bleeds hours later.

This is also the site of a secret military stake out which took place during the 1990 Operation Blackbird, where over these fields a large unidentified white orb was filmed by the army.

The latest bizarre event took place yesterday morning (7th) at approximately 5:00 AM local time, when a off duty Wiltshire Police Sergeant was driving towards Marlborough on the A4 highway and about to pass Silbury Hill on his left. He looked to his right and witnessed three exceptionally tall beings inspecting the new crop circle which appeared there on the 5th July. He stopped his vehicle and watched them for several minutes because they stood out as odd. Each of them were well over six feet tall, each had blond hair and also they all were wearing one piece white suits, with hoods that had been dropped onto the back of their heads.

After a few minutes watching them, he said they appeared to be examining the crop in the circle, he shouted at them from a distance of about 400 yards but they ignored him. As soon as he entered the field, they became aware of him and ran at an amazing speed to the south, away from Silbury Hill. He said "I recognized that I could never catch up with them since they were exceptionally fast." He glanced away for just a few seconds and looked back to find that they had completely vanished. He became very uneasy and left the scene.

The police officer was very aware of hearing a static crackling sound in the field and around him. He said as the plants moved around, he could see the movement coincided with the level of sound, as if the static was effecting the plants by moving them.

He also started to experience a headache in the field, which became worse as the day went on and he could not shake it off all day.

Source: Phantoms and Monsters
http://naturalplane.blogspot.com/2009/07/three-strange-beings-reported-at-crop.html

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